Tuesday, August 7, 2012

1991-2003

Recording & Writing History: 1991-2003

1991 "Silent Rhythms of Silverquest" gbHileman & G. Price
1991 "Offering" by Garth B. Hileman, with Denny Harwell & Greg Price
1992 "Exhumed" by G. B. Hileman,
          with Tom Lewis, D. Harwell, & G. Price
1993 "Through the Air" gbHileman
1994 "Heavier than Hell" gbHileman w/D. Harwell
1995 "Call of the Warrior" gbHileman w/D. Harwell
1996 "Political Suicide" gbHileman
1997 "Merciless Destiny" gbHileman
1998 "Dance of Evermore" gbHileman
1999 "Arc of Mjollnir" gbHileman
2001 "Stone Age Solution" gbHileman
2002 "Absolute Zero" gbHileman
2003 "Diesadam" gbHileman w/Mike Chavez
2003 "Divine Right" gbHileman w/ Paul Schrader

Misc other recordings

Friday, August 3, 2012

Recordings

A list of recordings I have made, bands, & other things, either solo or with other people:
some have not survived.

On the Rise: by Revolver; all written & performed by Denny Lee Harwell, with me on backup vocals.
Darklite: self-titled; co-written & performed by me & Denny
DamNagE: "ROT" me & my brother, Tom Lewis. Trey Jacobs & Tony Valasquez contributed,
a punk-metal crossover project. 3 guitarists & a drummer, no bass, no vox.
Quest: me & Tom, experimenting with 2 guitars & a keyboard. 
Neon Knights: me, Greg Roundtree-Price, & Clark Smith. Just a jamming band.

Hileman:
The Silent Rhythms of Silverquest: me & Greg
Offering: me & Denny
Exhumed: (originally spelled Xumed, but there was a band by that name, so I changed it)
me, Denny, Greg, & Tom
Through the Air: the title was a joke from something that Denny & I used to say about crappy recordings.
me, solo on the old Kay through cheap omni mics.
Heavier Than Hell: all me, with Denny revamping one of my songs. It all came out muddy-sounding.
Bad Karma: me & Denny.  Only one song survives.
Call of the Warrior: my first "industrial / death" project.
Political Suicide: recorded on a cheap cassette karaoke machine. The real beginning of my creativity.
Merciless Destiny: Part 1 of a concept.
Dance of Evermore: Part 2 of the concept.
The Arc of Mjollnir: Part 3 of the concept.
Stone Age Solution: getting back to basics. Hard, Heavy, & simple, while developing new skills.

Miscellaneous recordings from then to now, will update this page later.



Thursday, August 2, 2012

My Musical History

Some of this, especially the early years, may not be entirely accurate, as I am only relying on memory. I will update the info if I find facts, or remember something, or talk to people, or whatever.

I was exposed to music appreciation at an early age. My father was a fan of many types of music, mostly rock 'n'roll, but also classical, opera, & other things; but mostly rock.

In grade-school I learned an appreciation for various instruments, strings, keys, brass, woodwinds, the list goes on & on, through my music teacher Mrs. Frizzell. She gave me my first lesson in confidence as far as singing was concerned. I was terrible, but learned anyway. She convinced me to play the trombone, which I absolutely sucked at. I could never get my mouth to act right for that instrument. Later in life I tried woodwinds, the recorder, etc; just not a wind instrument kind of guy, I guess. I do like the sound of them, though.

Junior-High, which is called Middle-School now, was when I fell in love with strings. I played the violin, but was too clumsy, so switched to the viola. I passed my classes, but was never proficient. I loved the sound & feel of the strings, though. It was amazing to be sitting in a room with an entire class playing various stringed instruments. My class schedule for the next year had a glitch, & I was mistakenly not enrolled in orchestra. I wish I could remember my orchestra teacher's name, because she rocked!

High-School was the next time I picked up a stringed instrument, & that has been a downward spiral ever since. I was walking down Main Street, & saw a guitar hanging in a barbar-shop window. I went into the shop & asked if it was for sale. The Ancient Dude who was a barber, but was talking to all the other Ancient Dudes, rather than actually cutting hair, said it was NOT for sale. It had been hanging in that window for 20 or 30 years. He could tell I really wanted it. I asked him if I could buy it. He said, "20 bucks, kid," & I gave him my life's savings for it. I was 15-17 yrs old. Didn't use it much, it was painful with heavy strings.

It was humungous, the biggest, fattest guitar I have ever seen in my life, even up to now. It had absolutely the highest action I have ever seen. It was a very old Kay with terrible tone. I wish I would have known what it was worth!! That doesn't matter, what matters is how it affected me, & the role it played in my history.

Not long after that, my step-mommie-dearest got me a Harmony Strat Electric Guitar & a cheezy belt-strap amp. She only did it so she would have something that I loved to take from me, which I used to hide under my bed & play anyway!! When I first got them, My friend, Denny Harwell, & I, walked through the snow in shorts playing guitar & singing, for a couple miles to a friend's house. We were Rebels, lol! We recorded some music together, but unfortunately those old recordings have been destroyed. His stuff was great, mine sucked. Our collaborations were just okay. After High-School I worked with my brother, Tom Lewis, and some friends, including Trey Jacobs & Tony Valasquez, with band names like DamNagE & Quest.

I had a problem getting my Diploma, & had to go to summer school after graduation, in order to get it.During that time I did some solo work that has has been lost due to theft. After a while & many adventures, I signed up for the U.S. Army. I had to wait a while to enter service, & during those months of toiling in the heat in the construction of the 150 foot steel towers that provide your electricity over miles & miles, I recorded a few songs on that ol Kay. Those recordings are also lost, but I Revamped at least one of them later.

Army Days:
When I was in the Army, I came in contact with the members of the Original Purgatory State, from Geronimo, or more infamously, Lawton, & later OKC-Metro Area. -- (not the stupid punk group on the internet, but the late '80s to now metal band) --
Rob Prothro, the rhythm guitarist, taught me the most influential technique in my playing style. Mike Schlumbohm gave me lyrical pointers & inspired my writing style. Russ made me wish I'd practiced more, & Jerry made me wonder why I listened to any other drummer!
This was when I really started to write & develop my Ideas.

All the exciting stuff happened after this! To be continued...




Hileman Lyrics

This will contain my lyrics, and some info about my musical endeavors.